A Calendar of Letterforms & Type Designs
10.875 x 10.875 inches. Designed by Stephen Harvard (1948-1988), who is also the calligrapher and author of the descriptive texts. Printed in two colors letterpress at The Stinehour Press on Curtis Tweedweave, a beautifully textured warm white paper. Published by Cahill & Company, 1985
Calendar for the year of 1986. Each month is represented by a different typeface or letterform, identified by the text which is printed in red, and set in nine point Monotype Bembo. An exquisite thing and most uncommon calendar, for bibliophiles, typophiles and all lovers of beauty. Each month’s type specimen is suitable for framing. Left as a calendar, it can be reused in 2025, 2031, 2042, 2053, 2059, 2070, and 2081, should anyone wish to have one solely on hand for this purpose.
From the Colophon: Alphabets of Grace has been set in type and printed by letterpress at the Meriden-Stinehour Press in Lunenburg, Vermont. The paper is a unique letterpress version of Curtis Tweedweave, produced in a custom mill run for this project. Each month is represented by a different typeface or letterform, and these are identified within the specimens themselves in nine point Monotype Bembo. René Arsenault and John Stinehour were compositors, and Paul Hoffmann the production supervisor. The pressmen were John McCormack and Ken Brisson.
Stephen Harvard is the designer, calligrapher, and author of the descriptive texts. Mr. Harvard, a Director of Meriden-Stinehour Press, is an award-winning book designer and lettering artist. He is author of Ornamental Initials, a catalogue raisonné of the woodcut decorative alphabets of the renaissance printer Christopher Plantin (Godine, 1974) and An Italic Copybook: The Cataneo Manuscript (Harvard University, 1981). He lives with his wife and two daughters in an old farmhouse in New Hampshire's North Country.
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Recounting the wreck of the brig Commerce, the subsequent captivity of its crew, and the author’s enslavement among the Arabs
Originally printed in 1817 and reprinted here by The Stinehour Press with an introduction by Francis Brown
Northeast-Kingdom Publishers
The Commerce was a Connecticut-based American merchant sailing ship that ran aground in 1815 at Cape Bojador, off the coast of what is now Western Sahara. This is the story of one of the crew who survived the shipwreck and who went on to become a slave in one of the local tribes who captured them. Robbins spent months dehydrated, starved, and suffering brutality. This is his account of his captivity and escape home to freedom.
Essays by Artists About What They Do
By Christopher Benson and Nicholas Benson. The Fisher Press, 2022
Softcover, 452 pages, illustrated in color
9 x 9 inches, 1 1/2 inches thick
Containing contributions from more than eighty artists from widely diverse creative practices, the book includes an essay and two photographs by several artists connected to Stinehour Editions. Art in the Making was realized through a successful Kickstarter campaign and more information about the book can be found in this post, and in Reinventing Home, which featured the book in its Fall 2022 issue on Craft with excerpts from essays by Elvira Piedra, Ann Arnold and Rulan Tangen.
Additional copies may be obtained from The Fisher Press.
Paul Ickovic, At a glance
Stinehour Editions, 2016
8 7/8 x 6 1/4 inches, twelve pages plus cover.
Printed in an edition of fifty. A few copies remaining as of February, 2024.
Text and Photographs by Paul Ickovic.
Design by Stinehour Editions.
Limited edition of fifty copies, printed on an HP Indigo digital press at Puritan Capital, Hollis, New Hampshire.
Born in Kettering, England, Paul Ickovic emigrated with his family to the United States via Czechoslovakia and Colombia at age thirteen. Assistant of Henri Cartier-Bresson, friend of Josef Kudelka, his influences are those of the great street photographers, but the daring and heart in his photographs is his alone. A pilot, printer and musician, he is the author of In Transit, Kafka's Grave, Safe Conduct, Gorgeous Infidelities, and a children's book, Nicholas and The Magic Box. His photographs are held in the permanent collections of the Museum of Modern Art, the Minneapolis Art Museum, The Smithsonian and the New York Public Library. He lives in Ljubljana, Slovenia.
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Please allow two weeks for delivery.
View more of Paul Ickovic's photographs here, and visit the artist's website
The Books Of Antonio Frasconi - A selection 1945–1995
Paperback, 9 x 11.875 inches, ninety-six pages.
Published by The Grolier Club on the occasion of The Books Of Antonio Frasconi - A selection 1945–1995 exhibited May 12 through July 31, 1996.
Edited by Abe Lerner, introduction by Robert Graff and designed by Jerry Kelly. Printed in an edition of 1000 copies by The Stinehour Press, Lunenburg, Vermont, of which one hundred copies were specially bound and included a woodcut printed from the original block signed and numbered by Antonio Frasconi.
New, in original shrinkwrap
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C.H. Griffith 1879 – 1956 by Rudolph Ruzicka
Paperback, sixteen pages, 4.635 x 7.25 inches. New.
Published in 1972 by North Country Publishing Company, a very small publishing venture founded by Edward Latham and Roderick Stinehour. Printed in an edition of two hundred and fifty copies.
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Text by Ian Jackson, Illustrations by Ann Arnold
There was a mouse; she had a twin:
One mouse was Virtue, one was Sin
So begins a tale of twin mice separated at birth in the long awaited second edition of The Chaste Mouse and The Wanton Mouse. A story chaste enough for delicate sensibilities, and just risqué enough for the more adventurous. The first edition was issued (with illustrations in black-and-white) as a libretto per nozze in 2002, and quickly went out of print. For this new edition, the artist has colored her original drawings, and the author has added a footnote. The book retains its charm as the erotic work that Beatrix Potter might never have got round to writing. It is the ideal fishnet stocking-stuffer.
Fifty-two pages with twenty illustrations; 4 3/16 inches by 5 1/2 inches.
Printed on Mohawk Superfine at Puritan Capital in Hollis, New Hampshire.
Imaging and typography by Elvira Piedra. Published by Stinehour Editions, 2016.
Ann Arnold has illustrated five books for children: Alice Waters’s Fanny at Chez Panisse (HarperCollins, 1992) and the recent sequel, Fanny in France (Viking, 2016), Sara London’s Firehorse Max (HarperCollins, 1997), and two books of her own: The Adventurous Chef: Alexis Soyer (Farrar Straus Giroux, 2002) and Sea Cows, Shamans and Scurvy: Alaska’s First Naturalist: Georg Wilhelm Steller (Farrar Straus Giroux, 2008). Her illustrated edition of a little-known poem of thanks for hospitality by A.E. Housman, published under the title of the refrain, The Fowls are Fed is also available in the Shop. Her illustrations for The Adventurous Chef: Alexis Soyer were recently acquired by UCLA. Learn more about Ann in Wrestling An Angel, a film by Jonathan Villet and Fiona McDougall.
A few of her sumi-e drawings are available here.
Ian Jackson is one of the very few erudite humorists alive today. He has published a volume of Valentines with Footnotes, accounts of the distinctive language of the romance philologist Yakov Malkiel (Teach Yourself Malkielese, 2006) and the physicist John David Jackson (Mathein Pathein, 2016), and numerous articles in Belfagor, Conférence, Taxon, Petits Propos Culinaires, The Papers of the Bibliographical Society of America, and The Book Collector. His pioneering account of The Price-Codes of the Book-Trade (2010) has been published in a revised and enlarged second edition, Chamberpot & Motherfuck (2017). He lives in Berkeley, California. Visit the author's website.
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International Customers--if you are ordering fewer than four copies, please contact us for shipping rates before placing your order.
Illustrated by Wenday Watson.
Printed by The Stinehour Press in 1967 as a Christmas keepsake.
Designed by Edith McKeon, thirty-two pages, 4 x 6 inches. Number 320 in The Stinehour Press - A Biblographic Checklist of the First Thirty Years.
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Stinehour Editions & Howard Greenberg Gallery, New York, 2000.
Hardcover, original shrink wrapped edition
Foreword by Bonnie Yochelson.
Dr. Dain L. Tasker (1872-1964), began producing X-ray images of flowers while working as chief radiologist at Wilshire Hospital in Los Angeles. This book presents twenty of his exquisite photographs produced during the 1930s. Published in conjunction with the exhibition of vintage silver gelatin prints at the Howard Greenberg Gallery, New York, 15 September - 14 October 2000.
Printed as 300-line screen duotones by The Stinehour Press, Lunenburg, Vermont. Forty-eight pages, slim 4to, cloth, printed vellum dust wrapper. First edition, limited to 3000 copies.
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Use code TASKER25 for 25% off through December 10, 2025.
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A Solu Books Publication, 2015
Photographs of Elvira Piedra by Stephen Stinehour
52 Pages, 4.25 x 6, printed on Mohawk paper
Published in a paperback edition of 100 copies
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Copies are also available from Dashwood Books
33 Bond Street, New York, New York 10012 212-387-8520
www.dashwoodbooks.com
The Review for the Arts of the Book
Volume 16, Number 3, Autumn 1990
The last issue of Fine Print, printed by letterpress and offset at The Meriden-Stinehour Press, Lunenburg, Vermont.
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Verses by A.E. Housman, Illustrations by Ann Arnold
Thirty-two pages, 11 x 8.5 inches
Printed at Puritan Capital, Hollis, New Hampshire.
Production by Elvira Piedra.
Published in a softcover edition of 500 copies by Stinehour Editions, 2017.
A celebration of the insatiable fowls of Woodchester House, A.E. Housman's bread-and-butter poem written into the Wise family guestbook comes to life in Ann Arnold’s delightful illustrations, whose vibrant reds and deep blacks are faithfully reproduced on Mohawk Superfine paper. Written in May of 1902, the text originally appeared in an article entitled "The Poet as House-Guest: some unpublished verse of A.E. Housman" by Fraser Bragg Drew in the University of Indiana's Lilly Library exhibition catalogue, A.E. Housman: a collection of manuscripts, letters, proofs, first editions, etc... published in 1961. The present publication contains a brief text by Ian Jackson who wrote in addition a scholarly commentary on Housman's verses to accompany the book. It can be obtained directly from the author at ianjacksonbooks.com.
Ann Arnold has illustrated five books for children: Alice Waters’s Fanny at Chez Panisse (HarperCollins, 1992) and its sequel, Fanny in France (Viking, 2016), Sara London’s Firehorse Max (HarperCollins, 1997), and two books of her own: The Adventurous Chef: Alexis Soyer (Farrar Straus Giroux, 2002) and Sea Cows, Shamans and Scurvy: Alaska’s First Naturalist: Georg Wilhelm Steller (Farrar Straus Giroux, 2008). Her illustrations for The Adventurous Chef: Alexis Soyer were recently acquired by UCLA.
Prints of a few of her sumi-e drawings are available here. Learn more about Ann in Wrestling An Angel, a film by Jonathan Villet and Fiona McDougall.
Postpaid within the United States. Please select Media Mail for Books at checkout.
Feeman Keith: maker of books
Preface by Garret Keizer
Text by Sinclair Hitchings from a talk given at the Boston Public Library in 1986 to mark the installation of The Freeman Keith Collection at the Tabor Academy Library.
Printed in memory of Freeman Keith, 1925 - 2003, at The Stinehour Press.
Photographs of Freeman by B.A. King and Lance Hidy.
9 x 6 inches, 32 pages. Published by The Stinehour Press, 2003.
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An archive of material related to the Stinehour Press can be viewed here.
The Great Stone Face by Nathaniel Hawthorne
Foreword by Stearns Morse, drawings by John Nash.
Printed and published by The Stinehour Press in 1957. Designed by Roderick Stinehour, forty-six pages, 5.375 x 7.5 inches.
Number 53 in The Stinehour Press - A Biblographic Checklist of the Firt Thirty Years.
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A Hundred Years of HFA: the Story of Hammonassett Fishing Association by Daniel James. A history on one of Connecticut’s oldest angling clubs. Hardcover, printer’s copy in fine condition, limited to 300 numbered copies. Gold foil stamped green cloth. Iillustrated with title page drawing plus five black & white photographs; no dust jacket issued. 9 1/4 x 6 inches. Sixty-four pages.
Printed letterpress and bound by The Stinehour Press, Lunenburg, Vermont in 1988.
In very good condition
Photographs by Paul Ickovic
140 pages with sixty-one plates, 15 x 11.75 inches.
Published by Okapi Editions, New York, 2021
Five hundred copies, printed in tritone by Trifolio, on Mohawk Superfine Eggshell White.
Edited by Natalija Polenec, designed with Jana Ošlaj in Ljubljana, Slovenia
Texts by Dominique Versavel of La Bibliothèque nationale de France
and Marianne Le Galliard. Poem by Naila Moreira.
Printed as a companion to the exhibition En Transit: Photographs of Paul Ickovic at La Bibliothèque nationale de France, 19 May - 22 August 2021.
Paul Ickovic was born in 1944 in Kettering, England to Czech parents. During his childhood he lived in South America, Western Europe and Canada. In 1957, his family settled in New York City. A self-taught photographer, he began making images in 1962, and later came under the tutelage of Louis Faurer who taught him that the path of excellence in photography was through a high degree of criticism and ruthless self editing. In 1970, his photographs were first exhibited at Goddard College in Vermont, and in 1974 he had his first major exhibition at the Institute of Contemporary Art in Boston. Ickovic’s books include In Transit, Safe Conduct (foreward by Cornell Capa, essay by Vaclav Havel) and Kafka’s Grave and Other Stories, a collaboration with Pulitzer prize winning author David Mamet. Kafka’s Grave was printed by The Stinehour Press, Meriden, Connecticut, and was among the AIGA’s Fifty Books of the Year, 1986. He has travelled and photographed throughout the world, in countries which include France, Denmark, Spain, England, Cuba, Czech Republic, Italy, Indonesia, India, Nepal, Argentina, and Egypt.
Paul Ickovic’s photographs are in the collections of the Museum of Modern Art, New York; Bibliothèque nationale de France, Paris; International Center of Photography, New York; National Gallery, Prague, Czech Republic; the Smithsonian American Art Museum and the New York Public Library.
He lives in Prague, Czech Republic. ~ Robert Klein
Lear more about Paul Ickovic on his website
Additional titles by Paul Ickovic available in the Shop: Kafka’s Grave, Nicholas and the Magic Box and At a Glance.
Other shipping options are available upon request.
11 1/2 x 14 inches. Published by King Ranch, Inc., Kingsville, Texas, 1974.
Condition Very Good.
Designed, written and illustrated by Tom Lea
92 pages with nine full pages of color plates. A history of the King Ranch operations in Australia, printed for Bob Kleberg and the King Ranch in a small edition. Composition by The Stinehour Press; plates & printing by The Meriden Gravure Company.
Includes a copy of a letter from Tom Lea addressed to William Gluck of The Meriden Gravure Company.
In the Beginning of the new-made
The Sun deity Awona Wílona
Conceived within Himself
And throughout outward
in space
Whereby
mists of increase
Steams potent of growth
were evolved and uplifted
– F. H. Cushing: Zuni origins myth
Barbara Cook Spencer, The Isotropic View, 2014
Designed by John Bennett. Printed by Puritan Capital, Hollis, New Hampshire under the supervision of Stephen Stinehour. Bound by Acme Bookbinding, Charlestown, Massachusetts.
262 pages; 11 x 10.25 inches.
Published in a hardcover edition of 500 copies.
The Isotropic View by Barbara Cook Spencer is a collection of twenty-four essays accompanied by reproductions of her paintings and jewelry.
As an artist, Barbara discovered many years ago that there was a universal law that, when applied to art, enabled all works of art to be isotropic – visually balanced in every direction – thus linking science/law and art.
The works of art in her book are all isotropic.
The essays mirror decades of devoted thought and observation on art and individuality, and also record her developing understanding of animals and the profound, unique lessons they teach.
The book is dedicated to an isotropic view of art and life, and the practical realization of this view through the power of spiritual love.
Three artworks from the book are available as pigment ink prints here in the Shop.
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Kafka's Grave and other stories
Photographs by Paul Ickovic
Foreword by David Mamet.
Okapi Editions, New York and Nairobi, 1986
Hardcover, 17 x 14 inches. Thirty-eight photographs rendered as tritones, printed by dry trap at The Stinehour Press under the supervision of Stephen Stinehour. Recipient of AIGA 50 Books for 1986.
Paul Ickovic (1944 – 2023) printed Kafka’s Grave with The Stinehour Press in a now rare process of dry trap tritones, where the first color separation for highlights was printed and assesed, then put aside for the ink to dry down to evaluate before continuing with the second plate for midtones, repeating the process through the final pass of the third plate containing the darkest values. Working in this way allowed for ultimate control and refinement, and yielded a magnificent book which has few peers.
With a flair reminiscent of Federico Fellini, Paul Ickovic roams the world in pursuit of moments. A storyteller without words, he allows his images to float upon the imagination of the viewer and create their own scenarios-- reviving myths and archetypes, tales of the romantic and fantastic. Using only his Leica, one lens and black and white film, he reveals the ineffable, the bizarre, tender and beautiful apparitions of life. His subject is the endless variation of relationship and femininity ~ Elvira Piedra
Born in Kettering, England, Paul Ickovic emigrated with his family to the United States via Czechoslovakia and Colombia at age thirteen. Assistant of Henri Cartier-Bresson, friend of Josef Kudelka, his influences are those of the great street photographers, but the daring and heart in his photographs is his alone. A pilot, printer and musician, he is the author of In Transit, Kafka's Grave, Safe Conduct, Gorgeous Infidelities, and a children's book, Nicholas and The Magic Box. His final monograph, ICKOVIC, was published IN 2021. His photographs are held in the permanent collections of the Museum of Modern Art, the Minneapolis Art Museum, The Smithsonianand the New York Public Library. He called many places home– Sag Harbor, Lunenburg, Amherst, Ljubljana, and Prague, the birthplace of his parents, where he returned in 2021.
Please allow two weeks for delivery.
Visit Paul Ickovic's website
Text and photographs by Paul Ickovic
Impossible Dream Editions, 2015
5 1/4 x 8 inches. Edition of 100.
In a land of castles and bridges,
Tilted houses and cobblestone streets,
There lived a little boy named Nicholas...
So begins the delightful story of Nicholas and the wonders revealed with his camera. Set in Prague, the story is illustrated with Paul Ickovic's charming and mysterious photographs, beautifully printed in tritone.
For children of all ages.
Designed by Mason Singer. One hundred copies, printed in tritone on an HP Indigo digital press at Puritan Capital, Hollis, New Hampshire.
Born in Kettering, England, Paul Ickovic emigrated with his family to the United States via Czechoslovakia and Colombia at age thirteen. Assistant of Henri Cartier-Bresson, friend of Josef Kudelka, his influences are those of the great street photographers, but the daring and heart in his photographs is his alone. A pilot, printer and musician, he is the author of In Transit, Kafka's Grave, Safe Conduct, Gorgeous Infidelities, and a children's book, Nicholas and The Magic Box. His photographs are held in the permanent collections of the Museum of Modern Art, the Minneapolis Art Museum, The Smithsonian and the New York Public Library. He lives in Ljubljana, Slovenia.
Please allow two weeks for delivery.
Visit Paul Ickovic's website
Stinehour, Roderick, Printing Office Collection
Books, it seems to me, embody all the humanizing arts that make thought tangible, that give form to ideas so that mind can touch mind over long distances and through time itself. Books define the spirit of man and transcend immediate needs by opening up the vistas of the past and the future. Roderick Douglas Stinehour
A catalogue of Roderick Stinehour's collection of books on printing and its varied arts which were assembled during his years at the Stinehour Press in Lunenburg, Vermont, and made available for the enjoyment and enrichment of his staff.
9 1/4 x 6 1/4. 148 pages. Published by the Society of Printers of Boston and Stinehour Editions, Lunenburg, Vermont, 2010.
An archive of material related to the Stinehour Press can be viewed here.
PaGA, printing & graphic arts, Volume X
Published by The Stinehour Press in 1988.
196 pages, 6.125 x 9.1875 inches. Includes special overrun of Ray Nash and The Graphic Arts Workshop At Dartmouth College published by the Friends of the Dartmouth Library in 1987. Also included is a fold out facsimile of wood-cut plan of Antwerp as it appeared in Ludovico Guicciardini’s Descrittione di tutti i Paesi Bassi published at Antwerp by William Silvius in 1567. In 1580 Plantin offered to buy the wood blocks so that he could print a revised edition of this first Lowlands ‘Baedeker’ and three years later actually secured them from the widow of Silvius.
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Selections from his notebooks and miscellaneous manuscripts
Edited by Edward Connery Latham and Hyde Fox
With an introduction by Kathleen Johnston Morrison
Hardcover, 145 pages
Published by The Stinehour Press (Northeast-Kingdom Publishers), 1982
Printed letterpress in an edition of sixteen hundred copies
Previously unpublished prose sourced from notebooks and papers bequeathed by Robert Frost to Kathleen Johnston Morrison as well as material he gave her during his lifetime. Editors' selections are presented in random order, as Frost set them down except for supplying occasional missing punctuation marks, letters or words (indicated by brackets) a few extraneous or duplicated elements deleted.
Selected and Compiled by David Farrell.
7 1/2 x 10 1/2. 300 Pages. Hardcover. Blue cloth, printed dust jacket. The Stinehour Press: Lunenburg, Vermont, 1988. Limited to 1200 copies. Shrinkwrapped and numbered.
Postpaid within the United States. Please select Media Mail for Books at checkout.
Items from the Bibliographical Checklist can be viewed on the Stinehour Press pages.
Well Dressed Lines Stripped from the Reels of Five New Englanders
Published by The Anglers’ Club of New York. One of 500 unnumbered copies designed by John Atherton.
Printed labels on cover and spine and slipcase. Features work by David McCord, Francis Hatch, Edward Weeks, Leslie Thompson, and Edmund Ware Smith. 9 1/4 x 6 inches. Ninety-six pages.
Printed letterpress by The Stinehour Press, 1962.
In very good condition
Paperback, 8.5 x 10.5 inches, sixty-four pages. New, in original shrinkwrap.
Published by Harvard College Library, on the occasion of an exhibition of the work of Stephen Harvard held at the Houghton Library, 23 April – 31 May 1990.
Catalogue by David P. Becker, foreword by Richard Wendorf, introduction by Eleanor M. Garvey.
Designed by Christopher Kuntze, title page calligraphy by Christopher Stinehour, printed and bound by The Stinehour Press. The catalogue contains the exhibition checklist of seventy-nine works by Stephen Harvard, including his designs for books, invitations, posters, broadsides, decorated papers, devices and type designs.
The lettering craftsman is apt to be a perfectionist – he is likely to have a crystal clear alphabet somewhere in his mind; a perfect, proportionate set of images that shine with pythagorean light. All of his work in the real world of ink, paper, copper, steel and stone will be an attempt, with varying degrees of success, to approach the ideal unseen letterforms. He is a craftsman who shares something with the artist as well as the mathematician; it is his trade as well as his joy to weigh form and proportion in his mind. – Stephen Harvard
Stephen Harvard (1948-1988) was an award-winning typographer, designer, calligrapher, stone cutter and author. A Director of The Stinehour Press, he was an early collaborator with Adobe in adapting several of his typefaces into digital fonts. He is the author of Ornamental Initials, a catalogue raisonné of the woodcut decorative alphabets of the renaissance printer Christopher Plantin (Godine, 1974) and An Italic Copybook: The Cataneo Manuscript (Harvard University, 1981). He designed and wrote the descriptions for Alphabets of Grace, also available from the Shop.
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The Stinehour Press, Works of the First Fifty Years
Roderick Stinehour
Foreward by Sinclair Hitchings
Catalogue from the exhibition of the same name, held at the Department of Rare Books and Manuscripts of the Boston Public Library, 6 October, 2003 - 6 January, 2004
9 x 6 inches, 56 pages. Published by the Boston Public Library, 2003.
A talk on the career of Harold Hugo given at The Club of Odd Volumes by John F. Peckham on 21 November 1984
with a memoir by John F. Peckham & William J. Glick and an introductory note by Roderick D. Stinehour
Published by The Stinehour Press, 1996
Edition of two hundred fifty-eight copies.
62 pages